Mauricio Franco: Painting with Light

The first time we ever worked with Mauricio Franco was in the short film Assis & Aletéia, where the future cinematographer was an assistant for João Landi Guimarães. We liked his work so much that director Emanuel Mendes didn’t hesitate to call him back for his next film, Amarar, where the duo used a lot(…) Leia mais

How to Film Crying

“You get very impressed at the concentration level of the actors – because, in my opinion, it’s one thing to cry in order to sensitize your audience, but it’s something else completely different, and even harder, to cry in order to make them laugh”, says producer and production manager A. Nakamura, during the shooting of(…) Leia mais

They Cry For You!

Have you imagined a situation where, at realizing a very serious problem before you, or when someone tells you about an imminent catastrophe or any accident of enormous proportions and grave consequences, you inadvertently start crying in front of that person? Or yet, before a circunstance or situation you consider outrageous, humiliating, that somehow hurts(…) Leia mais